Listen to a rhythm of two measures (UK: bars) on the note G4 and write it with the cards: quarter notes (UK: crotchets), pairs of eighth notes (UK: quavers) and quarter rests, in 2/4, 3/4 or 4/4. The eighth-note card is a single eighth note: to make a pair, place two in a row and they join with a beam. You place the bar lines and the final double bar line yourself.
How to use the exercise: press Start and then Listen. As soon as the sound begins the cards are active: each one is written right after the previous one. You place the bar lines: the bar line when you finish the first measure and the final double bar line at the end. Nothing stops you from putting more beats in a measure than fit, or fewer: you have to count them yourself, as in a classroom dictation. Undo removes the last card and Clear all starts over. When the double bar line is in place, press Check. You can listen up to three times and write while it plays.
How to take a rhythm dictation with eighth notes
- Count with the metronome. Before the dictation, one measure of metronome clicks plays at the same tempo, with a stronger first beat. Count along ("1, 2…") and keep counting silently through the whole dictation, even when nothing sounds.
- Find the time signature and count its beats. Count them from the metronome measure. Start again at 1 in every measure, even if the first beat is silent.
- Listen to what happens inside each beat. One note that lasts the whole beat is a quarter note. Two notes that split it into halves are two eighth notes. If nothing sounds, it is a rest.
- Split your listenings. Both measures play on every listen, but you do not need to catch everything at once: in the first, the pulse and the first measure; in the second, the second measure; in the third, check the whole dictation.
The most frequent mistake with eighth notes is rushing the pulse: a pair of eighth notes followed by a quarter note can make the quarter sound shorter than it is. A pair of eighth notes lasts exactly as long as one quarter note. Tap your foot on the beat and say "ti-ti" on the eighth notes and "ta" on the quarter note, and the difference becomes clear.
What the dictations are like
Every dictation is generated on the spot: two measures of 2/4, 3/4 or 4/4 using quarter notes, pairs of eighth notes and quarter rests, all on the note G4 at a piano tempo between 72 and 90 quarter notes per minute. Eighth notes always come in pairs, joined by a beam and filling one beat: in this group there is never a single one and never three (a lone eighth note appears only in the groups with an eighth rest). Every dictation has at least one pair of eighth notes and some quarter rest. One measure of metronome clicks plays first, at the same tempo and with a stronger first beat. A dictation may begin with a rest, but never has more than two beats of rest in a row or a completely silent measure.
Every note sounds for almost its full length, so a pair of eighth notes is heard as two short notes that divide the beat into two equal halves. Each test has 10 dictations: 3 in 2/4, 4 in 3/4 and 3 in 4/4, none repeated.
Frequently asked questions
If you find it hard, start with Which rhythm is playing? or with Which audio is it?. The next group is half notes with eighth notes. Every group is listed in the rhythm dictation index.