The whole-tone scale is made of six notes, each a whole step (UK: tone) from the next, dividing the octave into six equal steps. It is sometimes called the hexatonic scale, although that word can name any six-note scale. Its suspended, dreamlike sound made it famous in Impressionist music.
What is the whole-tone scale?
It is a symmetrical scale: since all its intervals are equal whole steps, it contains no half steps and therefore no leading tone (UK: leading note). With no note that "pulls" toward the tonic, the scale sounds floating and ambiguous, without a clear tonal center.
There are only two whole-tone scales
Because of its symmetry, there are only two different whole-tone scales; any other is one of these two starting on a different note:
| Scale | Notes |
|---|---|
| C whole-tone | C · D · E · F♯ · G♯ · A♯ |
| C♯ whole-tone | C♯ · D♯ · F · G · A · B |
Sound and use
Augmented triads arise naturally from the whole-tone scale, and they share its suspended quality. Claude Debussy and the Impressionist composers used it to evoke dreamy atmospheres, water or mist; today it is common in film scores to suggest unreality or a dream.
The whole-tone scale in all keys
The whole-tone scale written from each of the 12 starting notes, with its correct spelling and its staff. The solfège names used in Spanish-, French- and Italian-speaking countries (Do, Re, Mi, Fa, Sol, La, Si) correspond to C, D, E, F, G, A, B.
| Starting note | 1 | 2 | 3 | ♯4 | ♯5 | ♯6 |
|---|---|---|---|---|---|---|
| C | C | D | E | F♯ | G♯ | A♯ |
| C♯ | C♯ | D♯ | E♯ | F𝄪 | G𝄪 | A𝄪 |
| D | D | E | F♯ | G♯ | A♯ | B♯ |
| E♭ | E♭ | F | G | A | B | C♯ |
| E | E | F♯ | G♯ | A♯ | B♯ | C𝄪 |
| F | F | G | A | B | C♯ | D♯ |
| F♯ | F♯ | G♯ | A♯ | B♯ | C𝄪 | D𝄪 |
| G | G | A | B | C♯ | D♯ | E♯ |
| A♭ | A♭ | B♭ | C | D | E | F♯ |
| A | A | B | C♯ | D♯ | E♯ | F𝄪 |
| B♭ | B♭ | C | D | E | F♯ | G♯ |
| B | B | C♯ | D♯ | E♯ | F𝄪 | G𝄪 |