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Music Theory

Seventh Chord Exercises

Quizzes to identify and build seventh chords on the staff.

One step beyond the triad: a fourth note is added, one more third above the fifth, and the result is a seventh chord. Here you work on three of the most common types in classical tonal practice: the dominant seventh, the half-diminished (leading-tone) seventh and the diminished seventh. The other two types, the major seventh and the minor seventh, are explained in the dictionary. With four notes, each chord has root position and three inversions (not two, as the triad has).

Identify

A chord is written on the staff and you name its type. The exercises are organized by position first, and in the final challenge the four positions appear mixed. The three types are always mixed in the same quiz.

Build

You are given the lowest note of the chord and you write the other three. Each type has its own page, with the four positions linked from inside:

Printable worksheets

You can also practice on paper: every quiz page has a worksheet generator that makes as many sheets as you want, each with different chords and with an answer key. You find them inside each page: identify by position (root position, first, second and third inversion, and all mixed) and build by type (dominant, half-diminished, diminished and mixed).

If you practice these chords on an instrument, the online metronome helps you build speed gradually, starting slowly (50-60 BPM).

Frequently Asked Questions

What is a seventh chord?
It is a triad with a fourth note stacked above it, one more third on top: the seventh. These exercises cover the three types with a classical harmonic function: the dominant seventh (major triad + minor 7th), the half-diminished or leading-tone seventh (diminished triad + minor 7th) and the diminished seventh (diminished triad + diminished 7th).
How many inversions does a seventh chord have?
Three, one more than a triad: with four different notes, any of them can go in the bass. Root position (the root in the bass), first inversion (the third in the bass), second inversion (the fifth in the bass) and third inversion (the seventh in the bass).
What is the difference between the half-diminished and the diminished seventh chord?
Both share the same diminished triad (minor 3rd + diminished 5th), but the half-diminished seventh adds a minor 7th and the diminished seventh adds a diminished 7th, one half step lower. That is why the diminished seventh chord is symmetrical (three minor thirds stacked) and the half-diminished one is not.
Why is the diminished seventh chord useful for modulating?
Because it is symmetrical: only three different diminished seventh chords exist, and each one can be respelled to function in four different keys. That lets you reinterpret the same chord as the diminished seventh of keys that are far from each other, and move from one to another.