Quizzes to identify and build seventh chords on the staff.
One step beyond the triad: a fourth note is added, one more third above the fifth, and the result is a seventh chord. Here you work on three of the most common types in classical tonal practice: the dominant seventh, the half-diminished (leading-tone) seventh and the diminished seventh. The other two types, the major seventh and the minor seventh, are explained in the dictionary. With four notes, each chord has root position and three inversions (not two, as the triad has).
Identify
A chord is written on the staff and you name its type. The exercises are organized by position first, and in the final challenge the four positions appear mixed. The three types are always mixed in the same quiz.
Root position
The chord in its natural position: the root in the bass.
First inversion
The third of the chord moves to the bass.
Second inversion
The fifth of the chord moves to the bass.
Third inversion
The seventh of the chord moves to the bass.
Final challenge
All four positions mixed. The top level.
Build
You are given the lowest note of the chord and you write the other three. Each type has its own page, with the four positions linked from inside:
Dominant seventh
M3 + P5 + m7. The chord that asks to resolve to the tonic.
Half-diminished seventh
The leading-tone seventh: a diminished triad plus a minor 7th.
Diminished seventh
Three minor thirds stacked: symmetrical and very useful for modulating.
Build: final challenge
Random type and position, mixing the three types and the four positions.
Printable worksheets
You can also practice on paper: every quiz page has a worksheet generator that makes as many sheets as you want, each with different chords and with an answer key. You find them inside each page: identify by position (root position, first, second and third inversion, and all mixed) and build by type (dominant, half-diminished, diminished and mixed).
If you practice these chords on an instrument, the online metronome helps you build speed gradually, starting slowly (50-60 BPM).