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Music Theory

Identify Seventh Chords in Second inversion

A seventh chord is drawn on the staff, in second inversion. Your task is to identify its type: dominant seventh, half-diminished (leading-tone) seventh or diminished seventh.

The three types of seventh chord

TypeSymbolStructure above the root
Dominant seventhV7M3 + P5 + m7
Half-diminished (leading-tone) seventhø7m3 + d5 + m7
Diminished seventh°7m3 + d5 + d7

How to recognize the second inversion

In second inversion the fifth is in the bass and the chord is labeled 4/3. The interval of a second sits between the two middle notes, and the root is the upper note of that second.

Exercise

How to use the exercise: Choose one of the three possible types and press Check. The app corrects your answer right away and, if you miss, shows the correct one.

Other positions: Root position, First inversion, Third inversion, All positions. To practice writing them instead of recognizing them, try building seventh chords. For the full theory, see the pages on the dominant seventh, the half-diminished seventh and the diminished seventh.

Printable worksheet (PDF)

The same exercise on paper, for class: 21 seventh chords in second inversion, mixing dominant, leading-tone and diminished, on one side of A4. The student writes the type. With a separate answer sheet.

Printable PDF worksheet to identify seventh chords in second inversion
A4 sheet with 21 chords.

Download the worksheet (PDF, A4) Answers

You may print and photocopy it freely for the classroom.

More worksheets

Need more practice on paper? Generate as many worksheets as you like, each one with different chords, and print them straight from your browser.

Frequently Asked Questions

How do I recognize a dominant seventh chord?
It is built on the fifth degree (the dominant) of a key: a major triad with a minor seventh added. It contains the tritone between its third and its seventh, which makes it sound tense and ready to resolve to the tonic.
How do I recognize a half-diminished seventh chord?
It is built on the seventh degree (the leading tone) of a major key: a diminished triad with a minor seventh added. Because the seventh is minor, not diminished, it is not symmetrical like the diminished seventh chord.
How do I recognize a diminished seventh chord?
It is built on the seventh degree of the harmonic minor scale: three minor thirds stacked (m3 + d5 + d7). It is symmetrical, and its notes repeat every three half steps (UK: semitones), which makes it a favorite chord for modulating.
What do I have to identify in this exercise?
The type of chord (dominant, half-diminished or diminished). The position is fixed: always second inversion.