The harmonic minor scale is built from the natural minor scale by raising its seventh note by a half step (UK: semitone). That half step creates the leading tone (UK: leading note), a note with a strong pull toward the tonic, and it strengthens the cadence in the minor mode.
Why does the harmonic minor scale exist?
In A natural minor, the seventh degree is G♮. The distance from G♮ up to A (the tonic) is a whole step. The note does not have enough tension to lead firmly to the tonic, and the dominant chord (v) is a minor chord, which has little cadential force.
That raised seventh is the note you hear at the end of minor melodies in the listening exercise Major or minor?: rising to the tonic, it makes the tonal center very clear. It is also one more clue for working out by ear which minor key a melody is in, which you can practice in recognizing the minor key.
When G♮ is raised to G♯, the distance to A becomes a half step: G♯ is now the leading tone. This makes it possible to build the dominant seventh chord (V7), E–G♯–B–D in A minor, the most conclusive chord of tonal harmony. On the same leading tone you can also build the diminished seventh chord (G♯–B–D–F), typical of minor keys.
The raised seventh also changes the chord on the third degree (the mediant). In natural minor it is a major chord (C–E–G in A minor); with G♯ it becomes an augmented chord (C–E–G♯), one of the few places where an augmented triad appears naturally, using only notes of the scale.
The price of this change is the interval of an augmented 2nd between the sixth degree (F) and the raised seventh (G♯): three half steps instead of the usual two. This unusual leap is the sound signature of the harmonic minor scale, and it reminds many listeners of scales from the eastern Mediterranean and the Middle East.
Interval pattern
The pattern of whole steps (W), half steps (H) and the augmented 2nd (A2 = 1½ whole steps) of the harmonic minor scale is the same in every key:
| Degrees | 1–2 | 2–3 | 3–4 | 4–5 | 5–6 | 6–7 | 7–8 |
|---|---|---|---|---|---|---|---|
| Pattern | W | H | W | W | H | A2 | H |
| A harmonic minor | A–B | B–C | C–D | D–E | E–F | F–G♯ | G♯–A |
The augmented 2nd between the 6th and 7th degrees (F–G♯ in A minor) is the interval that sets the harmonic minor apart from the other minor scales. In the melodic minor scale that leap is removed by raising the sixth degree as well.
We start from the natural minor scale:
Raising the seventh note by a half step gives the harmonic minor scale:
In the staff examples on this page the raised note is marked in red to make it easy to find; in exercises you do not need to mark it.
Move this pattern to any tonic and you get the harmonic minor scale of that note. The scales are shown in two equivalent ways: with the accidentals written inside the scale and with the key signature. Which one to use depends on the exercise.
All 15 harmonic minor scales
| Scale | 1 | 2 | 3 | 4 | 5 | 6 | 7↑ | Accidentals (key signature + raised 7th) |
|---|---|---|---|---|---|---|---|---|
| A harmonic minor | A | B | C | D | E | F | G♯ | None + G♯ |
| E harmonic minor | E | F♯ | G | A | B | C | D♯ | 1♯: F♯ + D♯ |
| B harmonic minor | B | C♯ | D | E | F♯ | G | A♯ | 2♯: F♯ C♯ + A♯ |
| F♯ harmonic minor | F♯ | G♯ | A | B | C♯ | D | E♯ | 3♯: F♯ C♯ G♯ + E♯ |
| C♯ harmonic minor | C♯ | D♯ | E | F♯ | G♯ | A | B♯ | 4♯: F♯ C♯ G♯ D♯ + B♯ |
| G♯ harmonic minor | G♯ | A♯ | B | C♯ | D♯ | E | F double sharp | 5♯: F♯ C♯ G♯ D♯ A♯ + F double sharp |
| D♯ harmonic minor | D♯ | E♯ | F♯ | G♯ | A♯ | B | C double sharp | 6♯: F♯ C♯ G♯ D♯ A♯ E♯ + C double sharp |
| A♯ harmonic minor | A♯ | B♯ | C♯ | D♯ | E♯ | F♯ | G double sharp | 7♯: F♯ C♯ G♯ D♯ A♯ E♯ B♯ + G double sharp |
| D harmonic minor | D | E | F | G | A | B♭ | C♯ | 1♭: B♭ + C♯ |
| G harmonic minor | G | A | B♭ | C | D | E♭ | F♯ | 2♭: B♭ E♭ + F♯ |
| C harmonic minor | C | D | E♭ | F | G | A♭ | B♮ | 3♭: B♭ E♭ A♭ + B♮ |
| F harmonic minor | F | G | A♭ | B♭ | C | D♭ | E♮ | 4♭: B♭ E♭ A♭ D♭ + E♮ |
| B♭ harmonic minor | B♭ | C | D♭ | E♭ | F | G♭ | A♮ | 5♭: B♭ E♭ A♭ D♭ G♭ + A♮ |
| E♭ harmonic minor | E♭ | F | G♭ | A♭ | B♭ | C♭ | D♮ | 6♭: B♭ E♭ A♭ D♭ G♭ C♭ + D♮ |
| A♭ harmonic minor | A♭ | B♭ | C♭ | D♭ | E♭ | F♭ | G♮ | 7♭: B♭ E♭ A♭ D♭ G♭ C♭ F♭ + G♮ |