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Music Theory

Musical Expression Terms

Expression terms are words, almost always Italian, with which the composer shows the character or feeling in which a piece should be played: dolce (sweet), maestoso (majestic), con brio (with spirit)… They are written above or below the staff (UK: stave), at the start of a piece or where the character changes, and they complete the tempo, the dynamics and the articulation.

Many markings are written in Italian because Italian music had an enormous influence across Europe in the 17th and 18th centuries. Its vocabulary spread among composers and performers in different countries and became a tradition that is still kept in scores today.

Where they are written

Markings are placed above or below the staff, at the point where they start to apply. At the beginning of a piece, a character term usually goes with the tempo. Later, other terms may appear that change the character or the speed. In this example, Andante con moto gives the tempo and character at the start. Dolce asks for softness from the first note, espressivo asks for expressiveness in the second measure (UK: bar), and poco rit. slows down a little at the end.

Two measures with expression markings written in the score: above the start, “Andante con moto”; below the first note, “dolce”; and above the second measure, “espressivo” and “poco rit.”.
Tempo and expression markings above and below the staff.

Tempo, dynamics, articulation and expression

The four kinds of marking answer different questions, which is why they often appear together:

MarkingQuestion it answersExamples
TempoHow fast?Adagio, Andante, Allegro
DynamicsHow loud?piano, forte, crescendo
ArticulationHow is each note attacked and joined?legato, staccato, tenuto
Expression (character)With what character or feeling?dolce, maestoso, appassionato

The families below are meant for study, not rigid categories. Many terms fit in several, and some describe the way of playing more than a feeling (pesante, leggiero, cantabile).

Soft and delicate

TermMeaning
dolceSweet, soft.
dolcissimoVery sweet.
soaveGentle, smooth.
delicatoDelicate, with delicacy.
leggieroLight, with lightness; suggests an agile performance.
graziosoGraceful, elegant.
tranquilloCalm, serene.

Lively and brilliant

TermMeaning
brillanteBrilliant, showy.
con brioWith spirit: with energy and liveliness.
spiritosoSpirited, with animation.
animatoAnimated, lively.
giocosoPlayful, merry.
scherzandoPlayful, as if joking.
con fuocoWith fire, with ardor.

Energetic and determined

TermMeaning
energicoEnergetic.
risolutoResolute, determined.
decisoDecided, firm.
agitatoAgitated, restless.
appassionatoPassionate.
marzialeMartial, in the character of a march.
pesanteHeavy, with weight: asks for each note to be stressed and marked (more a way of playing than a feeling).

Solemn and grave

TermMeaning
maestosoMajestic.
solenneSolemn.
grandiosoGrand.
pomposoPompous, stately.
nobileNoble.
religiosoReligious, reverent.
funebreFunereal.

Expressive and melancholy

TermMeaning
espressivoExpressive, with expression (also con espressione).
cantabileSonglike: in a melodious way, as if the melody were sung (it does not imply sadness).
con animaWith soul, with spirit.
con amoreWith love, with tenderness.
affettuosoAffectionate, tender.
teneroTender.
dolenteSorrowful, with pain.
lamentosoPlaintive, like a lament.
mestoSad, mournful.
malinconicoMelancholy.
misteriosoMysterious, enigmatic (it does not imply sadness).

Words that modify: molto, poco, sempre…

Many markings carry an extra word that changes or strengthens their meaning. They combine with character terms, with tempo and with dynamics:

TermMeaningExample
moltoMuch, very.molto espressivo: very expressive
assai"Very" or "quite", depending on the composer and the context.Allegro assai
poco, un pocoLittle, a little.un poco maestoso: a little majestic in character
piùMore.più dolce: sweeter
menoLess.meno agitato: less agitated
sempreAlways, constantly.sempre dolce: always sweet
subitoSuddenly, immediately.subito dolce: suddenly soft
poco a pocoLittle by little, gradually.poco a poco più animato: more and more animated
non troppo, ma non troppoNot too much; but not too much.Allegro ma non troppo
quasiAlmost, "as if it were".quasi recitativo: almost like a recitative, freely, as if speaking while singing
con, senzaWith, without.con brio, senza espressione

Combinations with tempo, such as Allegro ma non troppo or Allegro assai, are explained on the page about musical tempo.

Examples in famous works

Expression terms appear in the classics, almost always alongside a tempo:

WorkMarkingMeaning
Beethoven, Symphony No. 3, 1st movementAllegro con brioFast and with energy.
Beethoven, Symphony No. 5, 1st movementAllegro con brioFast and with energy.
Beethoven, Symphony No. 5, 2nd movementAndante con motoAt an easy walking pace, with motion.
Beethoven, Symphony No. 9, 1st movementAllegro ma non troppo, un poco maestosoFast but not too much, with a slightly majestic character.
Beethoven, "Moonlight" Sonata, 1st movementAdagio sostenutoSlow and sustained.
Beethoven, "Pathétique" Sonata, 1st movementGrave – Allegro di molto e con brioSlow, solemn introduction; then very fast and with energy.
Beethoven, "Pathétique" Sonata, 2nd movementAdagio cantabileSlow and songlike.
Beethoven, Sonata Op. 10 No. 3, 2nd movementLargo e mestoVery slow and sad.

Tempo and character at once

Some terms began as speed indications and now also suggest a character: vivace (lively), grave (grave, solemn) or sostenuto (sustained, sometimes a little slower). In practice, depending on the period and the composer, the same term can be read more as tempo or more as character, and the context helps decide. For speeds, see musical tempo. For changes of speed (rit., accel.), see agogics.

How to study them

  • By families. Learning them in groups of character (soft, lively, energetic, solemn, expressive) is easier than memorizing an alphabetical list.
  • Through English cousins. Most resemble an English word: dolce and dulcet, maestoso and majestic, appassionato and passionate.
  • With the music in front of you. Each time you meet one in a score, play or sing it with that character. That is how it sticks.
  • Together with the other markings. Practice tempo with the tempo exercises and dynamics with the dynamics exercises.

To change how the sound is produced, and not only its character, see performance effects and musical ornaments.

Frequently Asked Questions

What are expression terms in music?
They are words, almost always Italian, with which the composer shows the character or feeling in which a piece should be played, such as dolce (sweet), maestoso (majestic) or con brio (with spirit). They complete the tempo, dynamics and articulation.
Why are musical terms in Italian?
Because Italian music had an enormous influence across Europe in the 17th and 18th centuries. Its vocabulary spread among composers and performers in different countries and became a tradition that is still kept in scores.
What is the difference between tempo, dynamics and expression terms?
Tempo shows speed, dynamics show loudness, articulation shows how each note is attacked and joined, and expression terms show character or feeling. They often appear together, for example in Allegro con brio.
What do dolce, cantabile and espressivo mean?
Dolce means sweet and soft. Cantabile means in a melodious, songlike way. Espressivo means with expression, that is, bringing out the musical intention.
What does "con brio" mean?
With spirit: with energy and liveliness. It is often combined with a tempo, as in Allegro con brio, the marking of the first movement of Beethoven's third and fifth symphonies.
What do molto, poco and assai mean?
Molto means much or very, poco means little, and assai means very or quite, depending on the composer and the context. They strengthen or soften another marking, as in molto espressivo, un poco maestoso (a little majestic) or Allegro assai.